THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his toes on the ground. He will be ashamed to parade his goodness. He takes advantage of ingenuity in lieu of divinity. Chaplin’s untidy like life suggests he felt he deserved whomever he needed; Keaton in private existence seems to are actually melancholic due to alcoholism, but a decent sufficient sort with Femal

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